This telling statement features Dick Turner’s old-school sees on work, life and marriage. It was a legitimate good old bed, high and huge: that was his concept of marriage. Mary’s dread of the hedge-and by expansion the ranch-features her ill will to the homestead and its immediate relationship with locals, whom she sees as nonhuman. … She turned and ran back, out of nowhere panicked, as though a threatening breath had blown upon her, from a different universe, from the trees. This statement references the homicide of Mary Turner and recommends that whites anticipate that locals should have an undermined nature, a desire at the core of the novel’s “dark white” relations. When locals take, murder or assault, that is the inclination white individuals have.
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